‘Sequence Pastel: Drop Off,” featuring Nemo from Finding Nemo by Pixar’s Ralph Eggleston, has been digitally reproduced on archival paper in a signed, hand-numbered limited edition. Comes framed and ready to hang.
Magic in the details
Computers don’t make movies. People do: the artists, editors, animators, and technical directors. People are the life behind everything that gets created at Pixar.
While animated films are technically complex to make, they each begin with the simplicity of putting pencil to paper.
The Pixar Art Collection is the first time a coordinated assortment of Pixar concept art has been released, celebrating each milestone film release in Pixar’s history. The pieces were hand-picked by a select team at Pixar and represent a wide range of media, from marker to pastels to digital creation.
Hand Numbered Limited Edition of 95
Includes Certificate of Authenticity
”Sequence Pastel: Drop Off” by Ralph Eggleston
Original medium: pastel on paper
Print medium: giclée – framed art print on paper
Signed by Pixar Artist Ralph Eggleston
Visual development, conceptual artwork created for PIXAR’s Finding Nemo
Archival paper and inks
Natural finish wood frame
Comes ready to hang
From the Pixar Art Collection
The bare necessities
Paper / wood / glass
Image size: 6” H x 20” W
Framed size: 12 1/2” H x 26 1/2” W
Made in U.S.A.
About the Artist: Ralph Eggleston
Academy Award®-winning film maker Ralph Eggleston joined Pixar Animation Studios in 1992 as the art director of Toy Story, which earned him the International Animated Film Society’s Annie Award for Best Art Direction. Following Toy Story, he helped develop the treatment and screenplay for Monsters, Inc. Eggleston also wrote, designed and directed the Oscar®- and Annie-winning short film ”For the Birds,” which was his directorial debut. Eggleston contributed his talents to a number of Pixar’s Academy Award®-winning films: Finding Nemo, The Incredibles and WALL•E; his work on WALL•E was nominated by the Art Directors Guild for ”Best Production Design.” He earned a second Annie award for Best Art Direction for Finding Nemo and worked as the production designer on Disney•Pixar’s Inside Out.